![]() ![]() Hunter’s The Whale as a film ever since he first saw the play a decade agoĪronofsky was immediately struck by its intelligence, and the fearless way it interrogates the human condition without offering an easy answer. As he makes a last bold attempt to reconcile with his broken family, Charlie must confront, with his full heart and fierce wit, long-buried traumas and unspoken love that have haunted him for decades.ĭarren Aronofsky has wanted to adapt Sam D. ![]() In Darren Aronofsky’s The Whale, Brendan Fraser gives a virtuosic performance as Charlie, an English teacher living with severe obesity whose time is running out. Charlie and Ahab were not so unlike, underneath it all both men caught up in the pursuit of a dream, intoxicated with the could-have-been, obsessed with the fantasy of another future. Any concern about the possible insensitivity of the title was quickly dispelled as well, once it was understood that Moby-Dick factored prominently into the show, both literally and thematically. Instead of feeling overly confined, audiences praised it for its expansive, panoramic interrogation of the human spirit, for the authenticity and humor of its characters, and its profoundly moving meditation on grief, compulsion,Īnd redemption. Even on the compact landscape of a stage, would theater audiences show up to see a show where the protagonist is marooned on the couch the entire runtime? And what about that title?Īs it turned out, all the worrying was for naught. When the original stage version of The Whale premiered in 2012, there was some initial concern. “I connected with the themes and ideas, and the way it found beauty in things our prejudices too often make inhuman,” says Aronofsky. Hunter’s celebrated play The Whale, he knew that he found his next project. When visionary filmmaker Darren Aronofsky saw lauded dramaturge Sam D. ![]()
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